Angella Price

Empirical research consistently indicates that contact with the natural world is associated with broad psychological and physiological benefit.

Taking the restorative ability of nature into consideration, Price wonders how this might be represented visually.

Jacquelene Drinkall; Warren Neidich; Michael Petchkovsky; Lia Kemmis; Mahalya Middlemist and Laurence Hall; The Telepathy Project (Veronica Kent and Sean Peoples); Benjamin Denham; Shoufay Derz; Tabita Rezaire; Gabriele Stellbaum; Lorenzo Sandoval; Sarah Breen Lovett; Linda Dement and Nancy Mauro-Flude; Michele Barker and Anna Munster; Haines & Hinterding; Carolyn McKenzie Craig; Antonia Sellbach; Peter Hill

Cosmotechnic Telepathics in the Age of Surveillance Capitalism' examines the intersection between capitalist telepathy and cognitive/ surveillance capitalism.

Noah Spivak

A Stranger I Know Well investigates the liminal space between narcissism and self-loathing by allowing the artist’s own insecurities to manifest themselves in a body of work that puts the gaze on display.

Ged Jones

The exploration of pink and its association with queerness imbues Jones' work with political and emotional significance, making a thought-provoking and impactful contribution.

Lynne Flemons

Following a residency in Hill End Lynne was intrigued by the gold mining history of the village and inspired by the Holtermann Collection. 

ACT Schools

Rosalie Urosevic

Freya Jobbins & Shani Nottingham

Melody Spangaro

Matthew Allen, Kirsten Biven, Boni Cairncross, Sanne Carroll, Emma Fielden, Rubaba Haider, Annelies Jahn, James Lieutenant, Britt Salt, Kate Vassallo, Constanze Vogt, Nina Walton & Belinda Yee.

Penny Mason

Liz Perry

Canberra Art Workshop

Heidi Smith

Lucy Stackpool

Kerry Shepherdson

Clementine McIntosh & Jonathon Zalakos

Finalists announced!